The official funeral ceremony for the late August the Strong 1733 were also designed the music, the music of Jan Dismas Zelenka (1679-1745) was born, who was involved since 1726 increasingly in the management of music for the Catholic Hofgottesdiensten. Since the death in 1729 Heinichen he wore as acting music director responsible for church music, without having received ever this title and to be later passed over in favor hatred. The music for Totenofficium and Requiem for the funeral of Augustus the Strong is not only one Zelenka's remarkable achievements at all, but embodied in it's stylistic breadth also a kind of final Summa Dresdner church music between 1720 and 1733. Václav Luks and his Collegium 1704 have for Accent the first time the complete music Zelenka recorded for the occasion.
1 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Invitatorium. Antiphona & PS
2 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 1. Lectio 1. Parce
3 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 1. Responsorium 1
4 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 1. Lectio 2. T'det
5 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 1. Responsorium 2
6 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 1. Lectio 3. Manus
7 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 1. Responsorium 3
8 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 2. Lectio 4. Respon
9 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 2. Responsorium 4
10 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 2. Lectio 5. Homo N
11 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 2. Responsorium 5
12 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 2. Lectio 6. Quis M
13 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 2. Responsorium 6
14 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 3. Lectio 7. Spirit
15 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 3. Responsorium 7
16 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 3. Lectio 8. Pelli
17 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 3. Responsorium 8
18 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 3. Lectio 9. Quare
19 Office of the Dead for Elector Friedrich August I, for Soloists, Chorus, Instruments & Continuo, ZWV 47: Nocturno 3. Responsorium 9
- Disc 2 -
1 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Introitus. Requiem 'Ternam
2 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Introitus. Te Decet Deus
3 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Introitus. Exaudi Domine - Kyrie
4 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Introitus. Christe Eleison
5 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Introitus. Kyrie Eleison
6 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Dies Ir'
7 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Quantus Tremor
8 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Tuba Mirum
9 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Mors Stupebit
10 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Liber Scriptus
11 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Rex Tremend'
12 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Recordare
13 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Lacrimosa
14 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sequentia. Huic Ergo Parce
15 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Offertorium. Domine, Jesu Christe, Rex Glori'
16 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sanctus. Sanctus
17 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sanctus. Pleni Sunt Coeli - Hosanna 1
18 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sanctus. Benedictus
19 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Sanctus. Hosanna in Excelsis 2
20 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Agnus Dei. Aganus Dei
21 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Communio. Lux 'Ternam
22 Requiem for Soloists, Chorus, Instruments & Continuo in D Major, ZWV 46: Requiem 'Ternam. Requiem 'Ternam
The official funeral ceremony for the late August the Strong 1733 were also designed the music, the music of Jan Dismas Zelenka (1679-1745) was born, who was involved since 1726 increasingly in the management of music for the Catholic Hofgottesdiensten. Since the death in 1729 Heinichen he wore as acting music director responsible for church music, without having received ever this title and to be later passed over in favor hatred. The music for Totenofficium and Requiem for the funeral of Augustus the Strong is not only one Zelenka's remarkable achievements at all, but embodied in it's stylistic breadth also a kind of final Summa Dresdner church music between 1720 and 1733. Václav Luks and his Collegium 1704 have for Accent the first time the complete music Zelenka recorded for the occasion.